History
Pleasant Hill Invitational Jazz Festival History
The Pleasant Hill Invitational Jazz Festival (PHIJF) began
in 1976 simply as a vocal festival. At that time, vocal
jazz was still blossoming in the Pacific Northwest and the
need of a festival with vocal jazz was becoming a
necessity. The PHIJF was introduced not only as a
competition but also as an educational experience with
participants listening to numerous choirs, clinics and
experienced adjudicators interacting with groups after
their preliminary performance. During the 70’s, it was
not a common practice for adjudicators to work directly
with the performers. The second year of the PHIJF was the
beginning of the instrumental portion of the festival.
Since then, the festival has grown into what we know it as
today.
The founder of the PHIJF was Jim Steinberger, directing
the festival from 1976 – 1985. Mike Wiggins then directed
the festival until his death in 1997. Camille Noel took
over at that time, until her retirement in 2002. Kris
Kasten, the current director, then took over as the
Festival Director in 2003.
Today, the festival is in its fourth decade. While it
began as a small local festival serving full chicken
lunches and spaghetti dinners to those who participated,
it has grown to serve junior and senior high school
students from four states and Canada. Each year 2000
students, along with their teachers, parents and siblings
come to Pleasant Hill to attend the annual festival and
enjoy a variety of clinics, concerts and listen to the
competition of the school bands and choirs. We have had
guest artists come from afar to entertain and educate.
Some of those guests have been:
- Mike Vax
- Just-4-Kicks
- The Trenchcoats
- Cami Thompson
- Bobby Shew
- Shirley Andress
- Don Lamphere
- The Kicks Band
- Swing Shift
- Meridian
- The Coats
- Oregon All-Star Jazz Band
- Kim Nazarian
- Peter Eldridge
- Horace Young
- Mark Pender (2006)
Come participate in the Pleasant Hill Jazz Festival. The
hospitality of the Pleasant Hill community adds a charming
personal touch that no other jazz festival attempts to
copy.
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